Morecambe Bay is a wide intertidal estuary that is constantly in motion, and through my art practice, I move with it in an unfolding, embodied dialogue with messy, locally specific ecologies. My art practice researches how temporal ecosystems such as salt marshes and river estuaries have been suppressed through human activity and, in turn, how they can reshape, and inform our responses to climate change.

I work across media with interests in photography, video, drawing, writing, performance, and socially engaged practice.

Recent work considers aspects of time in relationship to place, coastal ecology, human-nature relationships, and mobile technology. I have a particular interest in how we come to know complex coastal ecosystems through embodied artistic practice, and how more-than-human others can teach us to live healthier, more inclusive, ethical and sustainable lives, at this time of environmental precarity.

I am currently Reimagining Morecambe Bay as a Living Archive – working with Barrow Archives to develop my creative practice through funding from Arts Council England.